The Fountain and Noah are, in some ways, companion pieces. Its character must accept the singular rule of the universe: Noah focuses on the one man who has to allow almost everyone to perish, but like The Fountain, it still deals with a man accepting his destiny, no mattew how dire it may seem.
The Fountain contains three separate stories with distinct worldviews but also carries a central theme that they all hold.
The first story, set in 16th century Spain is a Catholic worldview mixed with polytheistic Mayan culture. The second story is a modern scientific tale. The characters live in what appears to be the normal America; one of a predominantly Protestant worldview.
The protagonist though, while quoting biblical scripture, acts materialistic. The third story is set in the distant future and while the Christian themes of Eden and the creation of man exist, it is also nontheistic with its portrayal of the central character behaving in a very Zen Buddhist manner.
The entire film has a theme of transitioning from dark to light which could be a metaphor for the transitions of Buddhists to enlightenment or Christians towards salvation. He is clearly a Catholic character as he can be seen crossing himself on more than one occasion. He sacrificed himself to make the world.
The tree of life burst out of his stomach. His body became the trees roots. They spread and formed the earth. His soul became the branches, rising up forming the sky.
His children hung it in the heavens creating Xiabalba.
There is overlap between these two worldviews because they both believe in the Tree of Life but one person believes it is the Tree of Life from the Garden of Eden and the other believes it is the First Father. That overlap is present in the next tale as more belief structures are mixed in.
A cure — and I will find it. Aronofsky also interpreted the story of Genesis as the definition of mortality for humanity. So what makes us human is actually death. The idea though that death can be cured means that the main character feels that death is material.
Given that the story takes place in what is likely the modern United States, her belief in the Mayan underworld is most likely bred from a New Age mentality.
The New Age combination of different practices is also clearly present in the third story. In the futuristic story we can see the Zen Buddhist form of the main character. Our protagonist has found the Tree of Life. He sits next to what is arguably a deeply Judeo-Christian image but his lotus position, rhythmic chanting, and his belief that he can sustain himself solely on small pieces of bark and the energy of the universe are heavily Zen Buddhist.
His whole persona is one that invokes the image of seeking enlightenment, though we know because of who he is that he did not start as a Buddhist and this is worldview is less of a distinct Judeo-Christian or Buddhist image and more of a New Age blending.
Just as the different worldviews were present throughout the film so too was a common thread. The movie fades in from black and the fades out in white. The entire shade of the movie moves from dark to light as the film progresses.
Buddhists believe that through meditation and practice they can find their way through the darkness of this world and into the light of nirvana. The Christians too believe that God is light and separation from God is separation from light.
The only way to regain the light is to transition from darkness to the light through salvation.
It is up to the viewer to interpret what he or she sees and find the message.The Fountain By: Darren Aronofsky must go beyond the delivery of biblical knowledge and solidify a person’s identity as a follower of Jesus Christ and help live a transformed life. I. The Fountain Essay [pic] I consider The.
Fountain of the Four Rivers The Fountain of the Four Rivers is a monumental example of Italian Baroque style and eloquence. This sculpture is one of many that transformed Rome into the city we know today. There are many fountains that can be found throughout Italy.
The Fountain of the Four Rivers is a breathtaking sculptural fountain in Piazza . The Fountain on the other hand has a minimalistic cast but it makes it more efficient in its parallels.
Also Cloud Atlas makes its different stories mirror themselves whereas the different storylines are interlinked on a deeper level in The Fountain. We Failed This Film is a series about underrated films that simply didn’t receive the love they deserved upon initial release.
For the 17th entry, we’re taking a journey through time and confronting our mortality with Darren Aronofsky’s ambitious and underloved The Fountain. The Fountain–what was meant to the final moments of an Aronofsky film in which everything continually builds and builds in intensity with the help of a Clint Mansell score and symphonic editing; bringing together numerous working elements into one cohesive whole.
most is 1.) What it means to Aronofsky himself, and 2.) If it still. When Darren Aronofsky’s The Fountain was released in , didn’t perform very well commercially or critically.
But in the intervening years, the .